
A revival of the hit production 'Malory Towers' by the Emma Rice Company, featuring live music and drama as part of the 60th Brighton Festival.
The full programme for the 60th edition of the Brighton Festival has officially been released, and it looks like a significant year for the local arts scene. This anniversary marks the start of a new era under the leadership of director Lucy Davies, and one of the standout theatrical bookings is the Emma Rice Company’s revival of Malory Towers. The production will be taking over the Theatre Royal Brighton for a short run from Tuesday 19th to Saturday 23rd May 2026. It’s a show that blends live music with traditional drama to retell the familiar stories of Enid Blyton’s boarding school, though with the distinct creative touch that this company is known for.
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The choice to bring this particular show to Brighton seems to align with the festival's focus on accessible, high-energy performances. Because it’s a revival of a previously successful production, there’s already a good idea of what to expect: a lot of movement, on-stage instrumentation, and a narrative that appeals to a wide range of ages. While it’s naturally a big draw for families or those who grew up with the books, the theatrical style usually attracts a more general audience interested in how classic texts are adapted for the modern stage. It’s a central part of a festival programme that also includes long-standing traditions like the Children’s Parade, suggesting a very community-focused atmosphere for this 60th year.
In terms of getting seats, the information is quite straightforward. Tickets are being released in stages, starting today, 19th February, for festival members. For everyone else, the general sale begins on 26th February. Prices start at £15.00, making it one of the more accessible options in the festival line-up. Since the performances are spread across five days in late May, there are a few different opportunities to catch it, whether you prefer a midweek evening or a Saturday slot. It’s worth noting these dates if you’re planning your festival calendar early, especially as the Theatre Royal tends to fill up quickly for these types of national touring productions.














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