
A 10-piece musical collective performing a fusion of jazz, reggae, soul, and afro-beat at Chalk in Brighton.
On Wednesday, 29th April 2026, the 10-piece musical collective Nubiyan Twist is scheduled to play at Chalk in Brighton. Led by founder Tom Excell, the group has built a sound that sits at the intersection of several genres, including jazz, reggae, soul, and afro-beat. Their live shows are characterised by the interplay between a four-piece horn section and a five-piece rhythm section, often incorporating Latin rhythms and live electronics to round out the performance. Key figures in the current line-up include Jonny Enser on trumpet, Nick Richards on alto sax, and Aziza Jaye on vocals. Their history includes sharing stages with the likes of De La Soul and Robert Glasper, and their work has been noted by outlets such as Mojo and The Independent for its technical breadth.
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The performance at the 13 Pool Valley venue is set to begin with doors at 18:00. Tickets are currently positioned at £25.35, though this is intended as a guide and may be subject to change. For those who follow the UK jazz and soul scene, this Brighton date offers a look at how the band manages such a large ensemble in a club setting. Interestingly, the group is also appearing in Manchester on the 24th of April with a slightly different setup and price point, but the Brighton show remains the focal point for local residents. The music itself is geared towards those who appreciate complex rhythmic fusions and the energy of a large live band, moving away from traditional genre boundaries to create something more varied.
The venue, Chalk, is a familiar spot for live music in the city, and the 18:00 start time suggests a fairly early evening. Given the band's composition, the stage will be quite active, featuring that distinct balance of brass and percussion that defines their afro-beat and jazz influences. It is a chance to see a well-established collective that has spent years refining their mix of electronic and acoustic elements. Whether you are there for the soul vocals of Aziza Jaye or the specific arrangements of the horn section, the evening provides a comprehensive look at the group's current musical direction without the need for the usual touring theatrics.















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