
A unique, site-responsive audio-visual experience blending live music and cinematic installation in a domestic setting.
If you’re looking at what’s happening in Brighton this May, KlangHaus: Last Haus on Earth is scheduled for 2 May 2026 at the Brighton Dome. This project brings together the musicians and sound artists known as The Neutrinos with visual artist Sal Pittman. The setup is designed to be site-responsive, meaning the performance is built around the space it occupies, specifically creating a domestic environment for the audience to step into. It is a blend of live music and cinematic installation, where the usual distance between the stage and the crowd is removed. By placing the performance within a domestic context, the creators aim to shift how the audience interacts with the sound and visual elements, moving away from a standard theatre layout.
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During the performance, the boundaries between the artists and the audience are intentionally blurred. You are free to sit, stand, or move around the space as the sound and visuals unfold. It is a format that relies on the interaction between the environment and the people present, rather than a traditional seated concert. The project has received support from the Arts Council England, the Norwich Arts Centre, and the National Centre for Writing, and it is being presented as part of the Brighton Festival. It is a specific approach to performance that focuses on a sensory experience, allowing for a different way to engage with both the music and the visual elements provided by the collaborators.
Because the event is part of the Brighton Festival, it fits into the broader cultural calendar of the city for that month. The collaboration between The Neutrinos and Sal Pittman is an audio-visual experience that prioritises the physical presence of the audience within the installation. If you are familiar with the Brighton Dome, you might find it interesting to see how they adapt the space to fit this domestic theme. The focus remains on the interplay between the live soundscapes and the cinematic visuals, providing a space where the audience can navigate the performance at their own pace. It is a straightforward setup that invites you to observe the work from various angles, depending on where you choose to position yourself within the room.















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