carnation: the revolution is coming and I have nothing to wear

The 60th edition of the Brighton Festival is approaching, and it marks a transition for the event as it’s the first year under the leadership of Lucy Davies. Among the programme highlights is the world premiere of carnation: the revolution is coming and I have nothing to wear, a production by the contemporary circus company NoFit State. The show is being staged at Black Rock and is scheduled to run from 2 May until 25 May 2026. Directed by Firenza Guidi, who was also behind the production Sabotage, this new work moves beyond standard circus routines. It integrates live music and cinematic imagery to explore concepts of rebellion, resistance, and hope, specifically looking at how these themes manifest during turbulent periods.

The choice of Black Rock as the venue provides a specific backdrop for this kind of large-scale performance, which is a central part of the festival's move towards producing more original content. NoFit State is known for its particular style of circus arts, and this production aims to blend those physical skills with a narrative focused on social themes. Because it is a world premiere, the festival is positioning it as a significant part of its international programming for 2026. The imagery and live sound elements are designed to complement the acrobatic work, creating a performance that is as much about the visual atmosphere as it is about the physical feats.

Regarding the logistics for those planning to attend, the ticketing process is staggered. As of today, 19 February 2026, tickets are available exclusively to festival members. The general public will be able to purchase theirs starting from 26 February 2026. While the Brighton Festival often includes a variety of family-oriented shows, the subject matter of carnation—revolving around resistance and avant-garde performance—is likely to appeal to those who follow contemporary theatre and the arts. It’s a paid event that fits into the broader context of the city’s cultural calendar, reflecting the current direction of the festival’s new leadership.