An immersive, site-responsive experience blending live music by The Neutrinos, art installations, and theatre, breaking barriers between performers and audience.
If you have been looking for something a bit different during this year's Brighton Festival, you might want to take a look at what is happening over at the Brighton Dome. The venue is currently hosting KlangHaus: Last Haus on Earth, a project that blends live music, art installation, and theatre in a way that aims to remove the usual distance between the performers and the audience. It is essentially a mix of a concert and an immersive experience, featuring music from the art-rock band The Neutrinos alongside visuals created by artist Sal Pittman. The whole thing takes place in a specific space within the Dome known as Anita's Room.
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The programme is split into two distinct parts. There is the main show, Last Haus on Earth, which runs for about an hour and twenty minutes. Alongside that, there is a separate installation called Darkroom, which is a 20-minute experience focused on climate change, set entirely in total darkness. The events are running from the 2nd to the 23rd of May 2026, with various time slots available throughout the day—typically at 17:00, 18:00, 19:00, 20:00, and 21:00, though it is worth checking the festival website for the specific schedule on the day you plan to go.
Regarding the logistics, tickets for Last Haus on Earth are priced at £25.50, with a reduced rate of £15.50 for anyone under 30. There is also a 'Festival Standby' option available for £10. If you are interested in the Darkroom installation, tickets for that are £20.50. Keep in mind that there is a £3.50 booking fee applied to orders made online or over the phone. The event is open to anyone aged 12 and over, though anyone under 16 will need to be accompanied by an adult. The organisers have noted that they aim to keep the environment accessible and have ear defenders available for those who might need them for sensory reasons. It is a project supported by Arts Council England, the Norwich Arts Centre, and the National Centre for Writing, and it offers a fairly distinct way to engage with the festival programme this month.
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